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Learn the basics of PS: Photoshop skills 167 A complete collection of
classic Photoshop skills. If you are at the beginner level, read this article and master it, and you will immediately advance to the intermediate level. It's definitely not an advertisement.
Common skills A complete collection of classic Photoshop skills. If you are at the beginner level, read this article and master it, and you will immediately advance to the intermediate level.
1. Quickly open files
Double-click the blank space in the background of Photoshop (the gray display area by default) to open the browsing window for selecting files.
2. Change the canvas color at will
Select the paint bucket tool and hold down Shift and click on the edge of the canvas to set the canvas background color to the currently selected foreground color. If you want to revert to the default colors, set the foreground color to 25% gray (R192, G192, B192) and Shift-click the edge of the canvas again.
3. Shortcut keys for selecting tools
You can quickly select a tool in the toolbox by pressing the shortcut keys. The letter shortcut keys for each tool are as follows:
Select Box-M Move-V Lasso-L Magic Wand-W
Airbrush-J Brush-B Pencil-N Eraser Stamp-S
History Brush-Y Eraser-E Blur- R Dodge-O
Pen-P Text-T Measure-U Gradient-G
Paint Bucket-K Drinking Straw-I Gripper-H Scale-Z
Default Foreground and background color-D to switch the foreground and background color-X
Edit mode switch-Q Display mode switch-F
In addition, if we hold down the Alt key and then click the displayed tool icon, or Hold down the Shift key and press the letter shortcut key repeatedly to cycle through hidden tools.
4. Get a precise cursor
Press the Caps Lock key to display the cursor of the brush and magnetic tool as a precise crosshair, and press it again to restore it to its original state.
5. Show/hide the control panel
Press the Tab key to switch to display or hide all control panels (including toolboxes). If you press Shift+Tab, the toolbox will not be affected, only Show or hide other control panels.
6. Quickly restore the default value
Some friends who are not good at Photoshop have gone through many twists and turns in order to adjust to a satisfactory effect, but they found that the original default effect is the best. Now they were dumbfounded. I shouldn’t regret it at the beginning! How to restore to default value? Try lightly clicking the tool icon on the options bar, then choosing Reset Tools or Reset All Tools from the context menu.
7. Free size control
The shortcut key for the zoom tool is "Z". In addition, "Ctrl+Spacebar" is the magnification tool, and "Alt+Spacebar" is the zoom-out tool, but it must be used with the mouse. Click to zoom; press Ctrl+"+" and "-" keys to zoom in and out respectively; Ctrl+Alt+"+" and Ctrl+Alt+"-" can automatically adjust the window to full screen zoom display, use With this tool, you can browse the image in full screen regardless of the percentage it is displayed at. If you want to automatically adjust the window according to the size of the picture when using the zoom tool, you can click the "Full Canvas Display" option in the property bar of the zoom tool.
8. When using a non-Hand Tool (hand tool), hold down the space bar to convert it to a hand tool, and you can move the visible range of the image in the window. Double-click the hand tool to display the image in the most suitable window size, and double-click the zoom tool to display the image at a 1:1 ratio.
9. When using the Erase Tool, hold down the Alt key to switch the eraser function to restore the specified step recording state.
10. When using the Smudge Tool (fingertip tool), hold down the Alt key to change from pure smearing to smearing with the foreground color.
11. When you want to move the glyph selection range typed using the Type Mask Tool, you can first switch to the quick mask mode (switch with the shortcut key Q), and then move it. After completion Just switch back to standard mode.
12. After holding down the Alt key, use the Rubber Stamp Tool to click the mouse in any open image window to set the sampling position in the window, but the effect will not be changed. Windows.
13. When using the Move Tool, you can press the arrow keys on the keyboard to directly move the image on the layer at a distance of 1 pixel. If you hold down the Shift key and then press the arrow keys, Moves the image 10 pixels at a time. Dragging the selection with the Alt key will move a copy of the selection.
14. When using the Magnetic Lasso Tool or Magnetic Pen Tool, press the "[" or "]" key to increase or decrease the sampling width in real time (in the options palette).
15. Measuring tools are very convenient for measuring distances (especially on diagonal lines), but you can also use them to measure angles (like a protractor). With the information panel visible, select the measurement tool, click and drag out a straight line, hold down the Alt key and drag out a second straight line from the node of the first line, so that the angle between the two lines is equal to the angle of the line. The lengths are displayed on the information panel. You can move the measurement line by dragging it with the measurement tool (you can also move only one node of the measurement line individually). You can delete the measurement line by dragging it outside the canvas.
16. Use drawing tools (such as brushes, pens, etc.), hold down the Shift key and click the mouse to connect the two click points with a straight line.
17. Hold down the Alt key and use the eyedropper tool to select a color to define the current background color. Monitor the color changes of the current image by combining the color sampler tool (Shift+I) and the information panel. The color value before and after the change is displayed next to its sampling point number on the information panel. The color mode of the sampling point can be defined through the pop-up menu on the information panel. To add a new sampling point, just click anywhere on the canvas with the color sampler tool. Hold down the Alt key and click to remove the sampling point. However, only four color sampling points can be placed on a picture at most. When a dialog box pops up in Photoshop (for example: color level command, curve command, etc.), you must hold down the Shift key and click to add a new sampling point. Hold down Alt+Shift and click to subtract a sampling point.
18. Everyone must have used the cropping tool, and you must have encountered this situation; when you adjust the cropping grip and the cropping frame is closer to the image boundary, the cropping frame will automatically It sticks to the edge of the image, making it impossible to crop the image accurately. However, as long as you hold down the "Ctrl" key when adjusting the cropping border, the cropping frame will conform to your needs and allow you to crop accurately.
Copy Tips
19. Hold down the Ctrl+Alt keys and drag the mouse to copy the current layer or selection content.
20. If you have recently copied an image and stored it in the clipboard, Photoshop will use the size of the image in the clipboard as the default size of the new image when creating a new file (Ctrl+N). To bypass this feature and use the last settings, hold down the Alt key (Ctrl+Alt+N) while opening.
21. If you create a new work, you need a file with the same size, resolution, and format as an open picture. Select "File" → "New", click the Windows option on the Photoshop menu bar, and click the opened image name in the bottom column of the pop-up menu. Yes, it's that simple!
22. Free to use When using the Transform Tool (Ctrl+T), hold down the Alt key (Ctrl+Alt+T) to first copy the original layer (in the current selection) and then perform the transformation on the copied layer; Ctrl+Shift+T will execute the last time again. Transformation, Ctrl+Alt+Shift+T is to copy the original image and then perform the transformation.
23. Use the "New Layer by Copy (Ctrl+J)" or "New Layer by Cut (Ctrl+J)" commands to complete copy-to-paste and cut-to-paste work in one step ;Pasting via the Copy (Cut) New Layer command will still place them in their original places, however, via Copy (Cut) and then Paste, they will be pasted to the center of the image (or selection).
24. If you want to copy the image directly without the naming dialog box appearing, you can first hold down the Alt key and then execute the "Image" → "Copy" command.
25. Photoshop’s clipboard is easy to use, but you would prefer to use the Windows system clipboard directly to process images captured from the screen. Okay, press Ctrl+K and click "Output to Clipboard" on the pop-up panel!
26. Achieve regular copying in Photoshop
When doing layout design, we often place certain elements regularly to seek a form of beauty. In Photoshop It can be easily obtained through the combination of four shortcut keys.
(1) Circle the object you want to copy;
(2) Press Ctrl+J to generate a floating Layer;
(3) Press Rotate and move to Confirm the appropriate position;
(4) Now you can hold down Ctrl+Alt+Shift and press "T" continuously to copy continuous objects regularly. (Just hold down Ctrl+Shift to move regularly)
27. When we want to copy the selected objects in the file, we must use the copy command in the edit menu. You may not find it troublesome to copy once, but if you want to copy multiple times, clicking again and again will be quite inconvenient. At this time, you can first use the selection tool to select the object, then click the move tool, and then hold down the "Alt" key. When the cursor turns into two overlapping arrows, one black and one white, drag the mouse to the desired position. To copy multiple times, just release the mouse repeatedly.
28. You can use the marquee tool or the lasso tool to drag the selection from one document to another.
29. To create a duplicate document for the current historical state or snapshot:
(1)Click the "Create new document from current state" button;
(2) Select New Document from the History Panel menu;
(3) Drag the current state (or snapshot) to the "Create New Document from Current State" button;
(4) Right-click the desired state (or snapshot) and select New Document from the pop-up menu. Drag a historical state of the current picture in the historical state to the window of another picture to change the content of the destination picture. Alt-click any historical state (except the current, most recent state) to copy it. The copied state then becomes the current (most recent) state. Alt-drag a step in an action to copy it to another action.
Selection Tips
30. When dragging a selection area or layer from one document to another, hold down the Shift key to center it on the destination document. If the source and destination documents are the same size (dimensions), the dragged element will be placed at the same location as the source document (rather than in the center of the canvas). If the destination document contains a selection, the dragged element will be placed in the center of the selection.
31. Click the triangle button in the upper right corner of the action palette, select Load Action from the pop-up menu, and enter the Photoshop GoodiesActions directory. Under it are buttons, specifications, commands, image effects, and text effects. There are six action sets of , texture, and frame, which contain a lot of practical things! In addition, there is an ACTIONS.PDF file in this directory, which can be opened with Adobe Acrobat software, which details the use of these actions and the effects they produce. .
32. Click the brush tool in the toolbar, click the small triangle to the right of the brush label in the subsequently displayed property bar, and click the small arrow in the pop-up menu to select "Load Brush..." . Go to the Brushes folder of the Photoshop directory and select *.abr. It turns out there are so many cute things here.
33. Draw a beautiful mark and want to reuse it in your work? Easy to do, use the Lasso tool to select it, select "Save brush..." in the pop-up menu of Brushes, and then use the brush tool to select the new brush tip... Friends, do you want to spray paint the room?
34. If If you want to select the part between two selection areas, hold down the Shift and Alt keys while dragging next to any existing selection area, and draw a second selection area (a multiplication sign will appear next to the mouse cross, indicating overlap. of this area will be reserved).
35. To delete a square or circle in the selection area, first add any selection area, and then within the selection area, press the Alt key and drag the rectangular or elliptical mask tool. Then release the Alt key, hold down the Shift key, and drag until you're satisfied. Then release the mouse button and then the Shift key.
36. Delete a selection area from the center outward. In any selection area, first press the Alt key to drag the rectangular or elliptical mask tool, then release the Alt key and hold down the Alt key again. Finally, release the mouse button and release the Alt key.
37. When you want to quickly switch the mask area or select area options in the quick mask mode, first hold down the Alt key and then move the cursor to the quick mask mode icon and click the mouse.
38. When using the marquee tool, hold down the Shift key to draw a square or circle selection; hold down the Alt key to draw a selection centered on the starting point.
39. Use the “Reselect” command (Ctrl+Shift+D) to load/restore the previous selection.
40. When using the Lasso tool to draw a selection, press the Alt key to switch between the Lasso tool and the Polygonal Lasso tool. When drawing a selection, hold down the space bar to move the selection you are drawing.
1. Duplicate the layer, set the blending mode to Screen,
2. Apply 2 masks in reverse and erase the eyes
3. Stamp ( alt+ctrl+shift+E)
4. Channel mixture, select monochrome, red +54, green +54, blue +32
6. Mixing mode - positive stack
7. Cover Stamp layer adjustment, Image-Adjustment-Shadow/Highlight-Shadow: 50, 50, 144 Highlight: 0, 50, 30 Midtone: 20, 0 0.01, 0.01
8. Stamp again
9. Use stamp Erase the sunlight on the right cheek
10. Use the Dodge Tool - Range to Highlight, Intensity 50%, wipe out the reflection of the eyeball, only erase the black eye,
11. Stamp it again, Filter - Other - High Contrast, Parameter 80
12. Change the mode of the high-contrast layer to soft light to enhance the contrast.
13. Use your favorite method to sharpen
14. Reduce the saturated hue for a long time, or other subtle Try debugging
1. Select the material image.
2. Create a new canvas, fill the background with black, drag the character material into the canvas, and use the eraser tool to erase parts other than the face.
3. Create a new transparent canvas (20 x 20px), set the foreground color to white, and use the 1px pencil tool to stroke the left and bottom sides of the canvas.
4. Edit >> Transform >> Deform, adjust the grid layer nodes as shown below.
5. Set the layer opacity to 20%. Double-click the grid layer to open the Layer Style window, select Outer Glow, set the blending mode to "Color Dodge", the opacity to 100%, the color to white, the extension to 0, and the size to 5.
6. Create a new layer, use the pen tool to select several squares along the grid, and fill them with black.
7. Hold down the Ctrl key and click on the above-mentioned black square layer to obtain a selection. Select the portrait layer, cut and paste it (the pasted layer is named "Fragment"), and transform it through free transformation (Ctrl + T). Zoom out a bit and move to the following position.
8. Select the fragment layer, hold down the Alt key, and click the right arrow key on the keyboard (9 times) to get a similar three-dimensional effect. At this time, you will see 10 fragment layers appearing in the layer panel. Merge the other fragment layers except the top layer, and name the merged layer "Side". Double-click the side layer to open the Layer Style window, select Gradient Overlay, set the opacity to 80%, the angle to 180, and use the gradient from #000000 to #D58761. Leave other properties at their default values.
9. Use the brush tool to add some texture effects to the sides.
10. Repeat steps 6 to 9 to get the following results.
11. Merge all the black square layers, double-click to open the layer style window, select Bevel and Emboss, the style is "Inner Bevel", the depth is "75%", the size is 5px, the softening is 0px, the angle is 0, and the height is 50. Highlight mode is "Screen", highlight color #DCA57E, opacity 100%.
Shadow mode "Multiply", shadow color #000000, opacity 75%.
12. Create a new layer below the fragment layer and use the smoke brush to add a smoke effect. Select the fragment layer and use a black soft-angle brush to paint the right side of the canvas to get the following fade effect.
13. Create a new layer above the character layer, use the pen tool again to select a few squares at will, and fill them with black. Set the layer blending mode to "Soft Light".
14. The operation is the same as step 13, except that the fill color is changed to white.
15. Select the character layer, Filter > Blur > Surface Blur, radius 5px, threshold 15. Create an adjustment layer on top of all layers, go to Layers > Create Adjustment Layer > Levels, and set the properties to 10, 1.25, 244.
16. In order to get a cool feeling, you can add a barcode tattoo on your arm.
1. Create a new gray layer, adjust the brightness with curves, 152, 124
2. Cut out the eyes and mouth to emphasize,
3. Reduce the overall saturation, saturation Degree -56
4. Use color overlay to give the overall color tendency,
5. Hide the hue and color overlay two layers, open the channel panel, copy the R channel,
6. Create a new layer and paste it with filter Color mode to adjust transparency
1. Duplicate the layer, create a new channel blending adjustment layer, gray channel, red +64%, green +2%, blue +10%, monochrome
2. Create a new solid color mixing layer, select 575046 color, and set the mixing mode to color.
3. Create a new curve adjustment layer, ①-input 68, output 32, ②-input 114, output 68, ③-input 208, output 197,
4. Create a new solid color layer, select the 443B25 color, set the blending mode to color, hold down Alt and click the mask,
5.Ctrl+D to restore the default background color, Ctrl+Delete Fill the mask with a black background color,
6. Change the tone of the transition between the mid-highlight and dark parts of the picture to enrich the color of the picture, use a brush to insert the part that needs to be colored on the mask
, 300 pixels , opacity 10%, flow 100%
7. Font arrangement and design
8. In order to make the character echo the tone of the picture, put some lip gloss on the character’s lips and create a new layer , select the linear dodge blending mode, add 90753D color, choose a brush suitable for applying lip gloss, a scatter brush, pixel 39,
9. Zoom in, draw lip gloss on the reflective part of the lip, pay attention to observation, and constantly adjust. After applying the lip gloss, take a look at the overall picture. At this time, the picture has already echoed. The colors have become rich and not overwhelming. It just brings out the product.
10. If the product is worn directly on the model, it is important to adjust the character After you are interested, you can color the product or use a mask to insert the product directly
1. Open the file and copy a layer copy
2. Select the copied layer and press the free transform shortcut key ctrl+t to change the character’s face shape to make it more slender
3. Press merge layers (ctrl+ e) After that, use the cutting tool to recompose the picture and cut off the excess parts.
4. Image-Adjustment-Optional colors: red--70, -20, -20, -50. Yellow- -40, -20, -30, -80. White -0, 0, 0, -50. Intermediate color -0, -5, -5, -5
5. Press the curve (ctrl+m) to adjust the overall Color, RGB full channel - output 214, input 174, blue channel - output 131, input 124,
6. Image - Adjustments - Color Balance (ctrl+b), Shadow -10, 0, +15. Highlight - 10, 0, +2.
7. Use the stamp tool to cover the skin around the mouth evenly.
8. Use a pen to circle the eye bags and dark parts of the face, feather 60, and use curves to brighten the selected area. Lighten the bags under the eyes and reduce the unrelaxed expression of the facial muscles.
9. Continue feathering the selected area to 60, brighten the curve to make the face fuller, output 146, input 113.
10. Circle the highlight part Come out, feather 60
11. Brighten the curve to make the face fuller, output 138, input 118.
12. Shape the eyebrows, use the lasso tool to circle the top of the eyebrows and the skin, feather 5, Duplicate a layer, move the duplicated layer down to achieve the effect of eyebrow trimming, stamp eyebrow trimming, this must be very careful
13. Start adjusting the eyes, select the eyeball part to circle, duplicate a layer
14. Pen Circle the area where you want to make eye shadow. After copying a layer, darken the curve and adjust the color.
15. Then unify the eye shadow color. Color balance (midtone): +50, 0, 0. (Shadow): +20, 0, 0,
16. Detailed color adjustment, 1/3 of the upper eyelid, hue and saturation: 0, -40, 0
17. Circle the details, upper eyelid eyelash roots 1/3 of the front corner of the lower eyelid. Press the DELETE key to delete the selected area to expose the highlight.
18. Delete the excess eye shadow and feather it 40
19. Circle the details and bring the inner corner of the eye to the top At 1/2 of the eyelid, press the DELETE key to delete the selection and expose the highlight
20. Circle the eyeball, copy a layer, feather 1, desaturate the white part of the eye, remove noise, hue saturation: 0, -50, 0
21. Adjust the details of the whites of the eyes, adjust the curves to highlight,
22. Duplicate one layer of the eyeball and brighten the curves, use a brush to retreat the upper part of the left eye to show some shadows 23. Delete the pupil part
24. Adjust the eye color with curves to make them consistent
25. Add eye highlights
26. Circle the lips, feather 2, adjust the lip highlights with curves, adjust the lips Color
27. Adjust the highlight of the bridge of the nose and adjust the highlight of the eye shadow
28. Use the optional color for overall color matching, the middle color is -0, 0, -2, 2.
29. Use the color balance to fine-tune, (Highlight): 0, 2, -2.
30. Liquify to smooth the hair, add lens flare, brightness 182, 35mm focus,
31. Finally add a glitter brush in the appropriate place Complete
1. Create a hue and saturation adjustment layer, saturation -49,
2. Create an optional color layer, red: -49, 0, +7, -41. Yellow: 0, 0, 0, -23
3. Create a hue/saturation layer, brightness -49
4. Optional color. Yellow: 0, 0, 0, -26. White: 0, 0, +46, 0. Intermediate colors: 0, 0, -6, 0.
5. Optional colors. Red: 0, 0, 0, -48. Black: 0, 0, -47, +5. Reduce transparency to 37%
6. Stamp, noise reduction, sharpen, repair near the knees with smudge and simple tools The light spot,
7. Add vignetting, make a heart-shaped selection, feather it, and use curves to brighten it.
1. Open the original image, copy the layer, fill it with pure black, and use overlay mode.
2. Create a new hue and saturation layer: Saturation -85.
3. Create a new brightness and contrast layer: Contrast +10,
4. Create a new optional color, red: 0, +30, 0 , +100. Yellow: 0, -15, -100, 0. Mid-color: 0, 0, 0, +5.
5. Stamp, Filter-Rendering-Lighting Effect: Point Light, Strength 21, Focus 24, Gloss 0, Material 69, Exposure 0, Environment 8,
6. Stamp and add text decoration
1. Duplicate the layer, Filter-Blur-Radial Blur: Quantity 71, blur method - scale, quality - good,
2. Create a template, erase the car, and then use smudge to erase the dynamics of the wheels,
3. Color level - optional color. Add materials, render the overall atmosphere, and make detailed adjustments with dodge. The main diameter is within 5, and the hardness is the smallest
1. Slightly adjust the color cast, bring out a rough tone, and create a level adjustment layer. The full channel of the level: 0, 1.35, 255. Level red channel: 0, 0.85, 255. Level green channel: 0, 1, 10, 255 Level: 0, 0.95, 255
2. Create a hue/saturation adjustment layer to reduce the saturation of the original image. Full image saturation -30
3. Create a photo filter adjustment layer. In the first step, the cyan color has already come out. In this step, add dark yellow, concentration 25%, mode "Soft Light", in "Soft Light" "In mode, the originally dark areas will become darker. Select the channel panel, hold down Ctrl and click on the red channel. Return the selected area to the mask of the photo filter and fill it with black.
4. Create an optional color adjustment layer, red: 100, -33, 100, -40. Yellow: 0, 0, -40, 0. White: +15, 0, +20, +20
5. Brighten the window, create a hue/saturation adjustment layer, check "Coloring", mode "Soft Light", set it in the mask Wipe off the area other than the windows. Hue 260, saturation 25, lightness +75
6. Create a color balance adjustment layer to distinguish the character from the surrounding environment. After setting it up, use a large black soft-angle brush in the mask to center the character. Just wipe it off. Color level +20, +20, +40, select midtone
1. Create a new layer, fill it with light yellow, overlay mode, value 247, 240, 197
2 .Copy the yellow layer just now, use the linear deepening mode, and use the mask to erase the yellow car to prevent the car from being too yellow.
3. Adjust the brightness and contrast, subject to the normal color and exposure of the highlight, brightness -20, contrast +64, create a new saturation adjustment layer, saturation -31. Determine the final brightness of the bright areas, based on the color and details of the highlights. You can ignore the dark areas first.
4. Duplicate the background layer to adjust the shadow highlights, and The dark details are in place as a benchmark, shadows: quantity 100, tone width 33, radius 102, highlights: quantity 0, tone width 50, radius 30, adjustment: color correction +20, midtone contrast 0, build black 0.01%, build white 0.01%
5. Duplicate the background layer to adjust the brightness of the sky, and use this layer to make up for the lack of overexposure in the sky.
6. Adjust the details, erase the wires in the sky, use the repair brush to imitate the stamp,
7. Flatten the image, fine-tune the details, and sharpen
1. Open the image and copy the layer, Ctrl+Alt+~, get the selection, feather 3-5. Curve highlight, 18, 0 Left and right
2. Adjust the color level: 25, 1, 20, 245. Use the mask to erase the main body and details of the character
3. Stamp, and perform skin-smoothing on the character to brighten and sharpen the edges
4 .Color balance the stamping layer, midtones: -12, -10, -13. Highlights: +8, 0, -19.
5. Stamp the layer and enter LAB mode
6. Create a new layer, Shift+Ctrl+N, soft light mode, transparency 30-40%
7. Apply the image on the new layer, layer: merge layers, soft light mode, transparency 100%,
8. Adjust the layer, adjust the curve of the brightness channel, 5, 0
9. Adjust the hue and saturation of the LAB color of the image, the whole image: 0, +10, 0. Yellow: 0, +35 , 0. Green: 0, +15, 0. Red: 0, -20, 0. Blue: +10, +30, 0.
10. Enter the color level: 20, 1.20, 245. For the brightness channel Make adjustments, use a circular gradient on the mask to pull out the main body of the character, and then use a brush to erase the details
11. Stamp, return to RGB color, and select color options for the image, red channel: 0, 0, 0, -30 Erase petals on the mask
12. Stamp, create a new blank layer, use a white brush to increase the sprinkling effect and pen pressure. Hardness 100%, spacing +54%
1. Make a handsome eyeball to increase the visual appeal and attract people. Duplicate the eyeball and change the eyeball layer to filter mode. This This effect is easier for foreigners to achieve, while Asians are better off wearing colored contact lenses or changing their "eyes".
2. Brighten the face, highlight the face, use the lasso tool to cover the face, feather it to brighten, it does not need to be too bright,
3. Use the lasso tool to pull out the hair, it doesn’t matter if it reaches the face, Afterwards, you can use an eraser to wipe it clean and feather it to brighten it.
4. Be considerate of the whole and make it look more uniform. You can use an eraser to erase a little bit of the hair part.
5. Cover it and get a new layer (Ctral+Alt +Shift+E), use the stamp tool to place the mole on the face, slightly reduce the color balance, and increase the eroticism to make it look whiter.
6. Create a new transparent layer and set the layer mode to Soft For light, use dark eyeshadow to add to the upper and lower eyelines. The color is emitted from the inside of the eyes, from dark to light. For a sense of layering, use the brush with the highest softness
7. Create a new transparent layer and set it to soft light mode. , draw a circle of purple eye shadow as the base color. If you are afraid that the effect will not be good, you can often use blur to adjust the color until it feels even.
8. Adjust the highlight area of the skin, add a new transparent layer, use the overlay mode, and use the same stroke Brush on the color of the tip of the nose, find the most appropriate color for the root photo and add highlights. The advantage is that it can improve the contrast to increase the vision.
9. Make overall adjustments, add a new transparent layer, soft light mode, and increase the color of the highlight areas , the color remains unchanged, add dark red between the forehead and hair, increase the shadow, the red saturation on the face should not be too high, nor too low, as long as it looks real when applied to the face,
10. New Transparent layer, soft light mode, add highlight color to the nose-level highlight part, making the nose and contours look deeper and taller, and can erase dirty or dark areas on the face
11. Create a new transparent layer, in overlay mode, color the lips, purple, with a transparency of 70%
12. Create a new transparent layer, in positive overlay mode, with a transparency of 40%, on the nose, forehead, and face Add black and red there to increase the shadow and layering.
13. Create a new transparent layer, overlay mode, yes, the eye shadow should be applied in two layers, one layer is lighter on the outside, and the inside should be dark purple, it is best to blur it with Gaussian Until it is uniform
14. Create a new transparent layer, use soft light mode, add black and purple, and darken this part to make it look more coquettish.
15. Create a new transparent layer, use overlay mode, and apply it from the inner corner of the eye to the side of the nose. On the face, philtrum, and between the lips, draw light or dark red to increase the layering of the outline. After adjusting the transparency, it may be darker
16. Darken the color on the forehead and narrow face. Overlay mode, the color is red,
17. Add a shadow under the lips, otherwise the mouth will look fake
18. Use the same color to cover the dirty parts of the face, and use a straw to absorb the same color next to it , it may cover part of the hair, and you can paint it after a while.
19. Create a new transparent layer, soft light mode, green eye shadow,
20. Use a straw to absorb the same color on the dirty areas of the mouth and face, and create a new layer to fill in the dirty areas,
21 .Create a new layer, use Multiply mode, 20% transparency, and fill it with black and red.
22. The hair on the face is dark brown, and inside the black hair, the hair is a lighter shade of gray. Finished. For the hair part,
23. Create a new layer and fill it with a close color to cover the forehead skin. The cotton one looks so rough.
24. Add color to the face until it looks redder, more flattering and more attractive.
25. Create a new transparent layer, in Multiply mode, with a transparency of 50%, and paint brown on the forehead to darken the color of the skin to enhance contrast
26. Create a new transparent layer, in Multiply mode, with a transparency of 50%, and paint on the cheeks Orange-red, foreigners’ makeup is more exaggerated, the red spots don’t matter,
27. Adjust the overall color and sharpen it
1. Open the original file and follow your own feelings Adjust the film through color adjustment, and then smooth the skin. The skin smoothing value should not be too large (Neat image plug-in)
2. Create a new layer with the color FEE7D6 (set according to the skin color of the character in the film) and the layer mode is Overlay 25%, use the brush 20% to lightly apply on the skin of the face and neck,
3. To refine the facial features, cut out the mouth, perform feathering copy (Ctrl+J), and use the smudge tool to apply Apply to make the lip skin soft and delicate (not too strong)
4. Create a new layer, color the lips and face, the color is FDC1D6, the layer mode is color, use a brush to paint the lips and face Apply on the side of the face,
5. Use the Dodge tool, the range is the highlight, the exposure is 25% to draw the highlight part of the lips, use the Burn tool, the range is the middle, the exposure is 20%, to enhance the contrast of the lips,
6. Create a new layer with a color of 8E1A25 and a brush pixel of 3. Draw the inner line, and then draw the outer line of the lip with a pixel of 2. (Create a mask on the highlight line to make it lighter)
7. Select and feather the nose, copy it, use the Smudge Tool to softly refine around the nose, then use the Dodge Tool to focus on the highlights, with an exposure of 20%, to strengthen the highlight part of the nose, and then use the color 422B2D and the brush to be 2 pixels Draw the outline of the nose (if the line is faded, use the burn tool to make up for it)
8. Select Feather Copy for the eye and eyebrow circles, use the smudge tool to softly refine the skin around the eyes and eyebrows, and then use the reducer The range of the light tool is highlights, the exposure is 15%, and the highlight part of the lower eye socket is enhanced. The range of the dark tool is the middle, and the lines around the eyes are deepened.
9. Use the smudge tool to smear and refine the eyeballs to make them look better. Be softer, use the burn tool to deepen the dark eyeballs, use the dodge tool to focus on the highlights, and use an exposure of 20% to enhance the highlights of the eyes to make them look brighter.
10. Color 080101, brush pixel 3, paint For the part where the eyelashes appear, (the color of the line can be made up by using the Darken and Dodge tools) the eyelash lines can also be outlined using paths and other methods.
11. Use the smudge tool to make the eyebrow shape more beautiful, and make the thick eyebrows darker. A little, then follow the smear to fade it down, and then use the brush with 2 pixels to draw eyebrow lines at the front of the eyebrows to make the eyebrows more layered.
12. With the smear tool, select a brush suitable for the hair (set the brush shape according to the texture of the hair ), during the application process, apply along the texture of the hair, do not apply too hard, and apply evenly,
13. Use a normal brush to connect the ends of the hair (be careful when applying to the hair)
14. Draw the texture of the hair, create a new layer, set the layer mode to Overlay, select the pencil pixel as 1 (the value is determined according to the size of the character picture), the color is DFDFDF and draw smooth along the texture of the hair. Line
15. You can select the brush tool for the ponytail part. Use some forked brushes to lightly follow the texture. The color layer mode is the same as above.
16. Create a new layer, normal mode, select the brush tool, pixel Set to 1, Opacity 60%, Flow 80%, color white, draw dynamic hair on the forehead,
17. Use the smudge tool to apply softly on the clothes and necklaces, then select the dodge tool, and the range is highlight , exposure 20%, enhance the highlights of the clothes and necklace
18. Composite, sharpen the entire picture, the sharpening value is 8, use the dodge tool to slightly process the highlights, and correct the overall color, ( You can add some background light modifications to highlight the theme)
1. Open the original image, copy a layer, Image-Adjustment-Decolor
2. Filter-Art Effect-Plastic Packaging, reduce the transparency according to the original image
3. Adjust the color level of the black layer, so that the picture is black and white, color level: 88, 0.27, 192
4. Ctrl+Alt+~, extract the highlight selection of the black and white layer, click Qian's eyes become small, hide them, and return to the background layer.
5. Select and adjust the curve of the highlight obtained previously, and pull the curve to the top, and the effect will appear
6. Adjust the brightness of the background layer Increase the contrast, or adjust the color appropriately, brightness +4, contrast +7
1. Open the lotus photo and copy the background layer.
2. Remove color and adjust the color levels to increase the contrast between black and white. Color level: 15, 1.0, 200
3. After inverting, perform Gaussian blur with a radius of 1, and then perform filter-brush stroke-splash. Spray color radius 1, smoothness 3
4. Create a new layer, set the layer blending mode to color, and use a pink brush to color the lotus.
5. Add some text as you like, stamp it, and it’s done.
1. Enter the channel panel, and then use "Use Channel" to apply the three RGB channels,
Image-Apply Image-Layer: Background-Channel Blue- Mix Multiply, Opacity 50%
Channel Green - Mix Multiply, Opacity 20%
Channel Red - Mix Darker, Opacity 100%
2. Adjustments - Color Balance - Highlights - Color levels: -8, +13, +11
3. Apply the image once to the blue channel, Layer: Background - Blending: Multiply, opacity 50%,
4. Use curves to adjust the brightness, Move the upper right corner of the red channel a little,
Full channel 6, 0, Blue channel 4, 15
5. Copy a copy of the layer, perform the operation on the blue channel again, mix Multiply, and set the opacity to 50%
6. The last thing to do is to highlight the characters. Use an eraser to erase the characters, and pay attention to appropriately reducing the transparency.
1. Duplicate a new layer
2. Use the stamp tool to remove the acne
3. Record the snapshot of the acne repair results,
4. Make a Gaussian blur, the strength is based on the disappearance of the skin texture, the radius is 4.0
5. Record the snapshot and name it [Gaussian Blur]
6. Press [Repair Acne] to return the picture to the state when the acne was just repaired, and Click the small box on the left side of [Gaussian Blur] to switch the small icon over. This is to target the history brush that will be used soon.
7. Use the history brush to apply it on the parts of the face that need to be smooth. Pay attention. Avoid contour lines, hair, eyebrows, etc. You can use the [key and] keys to change the size of the brush at any time to modify subtle parts. If you accidentally brush the wrong part, it doesn't matter. You just need to change the left side of the brush in the history panel. Click on the small icon to [Repair Acne], and then brush again to brush back. The process mentioned at the beginning is reversible
8. You can change the opacity of the brush to control the intensity of your application , brush 20, opacity 55%
9. The effect after smoothing is very smooth, but there is no skin texture, and the next step of processing is needed
10. Record the snapshot as [smoothing], each stage is completed , we all better record it and can go back to it at any time.
11. Keep going, Ctrl+A to select all, and then Ctrl+C to copy the polished effect. Then, click [Repair Acne] on the history panel to return the file to the state before polishing
12.Ctrl+V releases the polishing effect just copied to a new layer and changes the transparency , so that the lower layer can show through, and the opacity is 70%
13. Click on the lower layer, which is the layer that has not been polished, and do a big sharpening, the amount is 140, the radius is 0.7,
14. Like this Overlay to make the skin delicate without losing the texture. The skin polishing step is completed. Remember to save the snapshot [Skin Complete]
15. Pull layer 1 to the small icon below, copy the new layer, and set it to "Soft Light" Mode, transparency is about 25, other values can also depend on your preference
16. Color correction, remove some yellow from skin color, adjust highlight color, level -5, 0, +15, maintain brightness
1. Select the blue channel "Apply Image", check "Invert", mix "Multiply", return to the RGB layer, and use the blending mode "Soft Light".
2. In the channel mixer, check "Single Color"; the layer blending mode is "Multiply".
3. Skin resurfacing to beautify the human body.
4. Add a "glossy" effect to the character's skin and clothes, "Tutorial on Plastic Glossy",
5. With the "Movie Effect Filter AGEDFILM", this step can save a little time, all The parameters are default; the effect after use is blue, and you need to use "Hue/Saturation" to adjust the color.
6. Change the blending mode of the effect obtained in step 6 to "Soft Light" and adjust the layer transparency appropriately
7. Adjust the "Color Balance".
8.."Sharpen" the character.
9. Fine-tune the character’s facial skin color, brightness contrast and some details.
10. Create the "ray" effect as shown in the picture,
11. "Gaussian Blur", "Radius" 65.
12. Add "Outer Glow" to "Light" and "Size" 20.
13. Change the "Light" layer's blending mode to "Soft Light" and its opacity to "25%".
1. Duplicate the layer, adjust-Decolor,
2. Curve adjustment, increase the contrast between light and dark, input 114, output 186
3. Duplicate the layer, Filter - Brush Stroke - Ink Outline, Stroke Length 5, Color Intensity 10, Light Intensity 10, Lower the layer to Soft Light Mode, adjust the Opacity,
4. Filter - Gaussian Blur, Radius 2.0 pixels ,
5. Filter-Brush Stroke-Splash, Spray Radius 1, Smoothness 3,
6. Add a light brown solid color layer, Tutzen Enchanter for color, adjust opacity, opacity Make it as small as possible,
7. Click on the solid color layer and the eyes in front of the layer to hide them, create a new layer and use a brush to use appropriate color layers on lanterns, trees, tiles, etc.,
8. Restore the hidden layer, change the layer mode to Overlay, and adjust the details according to the effect.
9. Fine-tune the overall effect of the picture until you achieve a satisfactory effect. There are no specific steps and it varies from person to person.
1. Take a picture of a landscape with a white border. The white border is used to create an edge overflow effect.
2. Hue and saturation: saturation + 80 to adjust the impressionist effect.
3. Edit-define pattern.
4. Create a white fill layer with an opacity of 50%, and then create a transparent layer
5. Pattern stamp tool, the main diameter of the brush is 200, the brush is selected from the wet medium brush 45, the mode is normal, and the opacity is 100% , check the box in front of the Impressionist effect,
6. Draw on the transparent layer pattern stamp, and make the strokes of the distant and secondary scenes larger, otherwise the strokes will have more small details, adjust the opacity to view the strokes of the upper layer,
7. Copy the background Layer decolorize, Filter-Splash, Opacity 71%, Layer mode is Overlay
8. Filter-Texture-Texture, Opacity 100%,
9. Filter-Distort-Diffuse Light 37%
1. Adjust brightness, contrast, etc. in RAW to lay the foundation for subsequent adjustments.
2. Add sky material, simple transparency, and let the sky blend into the layer Medium,
3. Create a new adjustment layer, optional color - intermediate color: +20, +6, +7, -4, absolute, slightly uniform seawater color,
4. Fill color with earthy yellow, opacity 54 %, the color is filled with navy blue, the opacity is 61%, the fill is dark purple, the opacity is 76%,
5. Detailed adjustment, the selection method of highlights and midtones and the resulting mask, the selection method of highlights: Calculate - Source 1: Merged layer, gray channel, Source 2: Merged layer, gray channel, Multiply blend, opacity 100%.
6. Midtone selection method: Source 1: Merge layers, gray channel, Source 2: Merge layers, gray channel, Multiply blend, opacity 100%.
7. Use curve adjustment for the mask obtained in the RGB channel. Highlight adjustment: the black line is in the middle line on the left side of the penultimate grid. The blue line is adjusted downward a little. Midtone adjustment: adjust it upward.
8. Mask the reflected light, select the selected area with lasso, feather it, and brighten the whole.
9. Decrease the saturation of the debris on the ship, saturation: -36,
10. Sharpen the whole
1. Duplicate the layer, adjust the brightness and contrast, and merge downward.
2. Enter LAB mode, select the application image in the image, and perform calculations.
3. Move the image Change the layer mode to color, stamp the layer,
4. Enter the RGB channel, fill the blue channel with black, extract the green channel selection, fill the selection with white,
5. Hue saturation, red: +20, +1, 0. Cyan: -7, +26, 0. Leave other data unchanged, change the layer mode to color,
6. Enter the RGB channel, select the green channel selection, invert the selection, and adjust the Color balance, select midtones, values: -10, -6, +16. Shadows: +4, +5, -2. Highlights: -19, -26, -40
7. Stamp layer, enter RGB channel, select the red channel selection, copy, return to RGB mode and paste, change the layer mode to color, select the curve in the adjustment layer, red channel: 173, 193. Red channel: 58, 56. Green channel: 180, 201. Green channel: 53, 58. Blue channel: 55, 62.
8. Change the layer mode to color, copy the layer, and then copy the image Layer, change the layer mode to brightness, transparency 20%
9. Select the hue and saturation in the adjustment layer, cyan: +5, -49, -2.
10. Adjust the color balance in the adjustment layer, midtones: -6, 0, +3. Shadows: -7, +3, -1.
11. Color balance, shadows: +4, +5 ,-2. Shadows: +4, +5, -2. Highlights: -19, -26, -40.
12. Add lightning effect.
1. Copy a layer and convert it to a smart filter. The purpose is to adjust the effect of the filter.
2. Filter-Rendering-Lighting Effect, Full Light Source, Negative 17, Matte -25, Plastic Effect 100, Underexposure 32, Negative 28,
3. Create a new optional color adjustment layer, red: -100, -3, 03, 0. Yellow: -59, -6, - 23, +1. Green: +9, +5, -100, +27. Cyan: +8, -76, -3, -100. White: +1, -40, -73, -10. Mid-color: +16, -18, -18, -3. Black: 0, 0, 0, +28
1 First take out the pictures you took beforehand.
2 Use a mask to cover the sky part.
3 Add the sky part and place it on the bottom layer. It can be adjusted appropriately according to the picture.
4 Create a new layer as the third layer, mainly to adjust the tone of the picture.
5 Modify the opacity as needed and change the layer properties to soft light.
6 In order to seek the texture effect in the oil painting, a material layer was added on top of the tone layer
7 Modify the layer properties to soft light, and modify the opacity as needed. The opacity here is 86%
8 Add a mask and select the content appropriately according to the needs of the picture.
9 In order to enhance the texture, create a new layer and fill it with gray.
10 Add noise to Gaussian distribution in the filter and check Monochrome. The number is customized.
11 Change the layer to soft light.
12 Use the mask to adjust it appropriately according to the needs of the screen.
13 Noise, add noise - amount 400, Gaussian distribution
1. Open the original image, pick the color, and use the repair tool to repair the large damage area
2. Duplicate the first copy of the layer, Filter-Noise-Dust and Scratches, Radius 10, Threshold 6
3. Add a mask to the first copy of the layer, click on the mask, and use the brush tool to paint outside the edges of the character ,
4. For layer one, go to Filter-Noise-Dust and Scratches, Radius 10, Threshold 6,
5. For layer one return to the history panel, the layer above the dust and scratches , use a brush to paint the spots with spots, be careful if you have shadows on the eyes or face
6. If you want something higher, do some high-contrast retention or use some color levels to change the spirit,
7. Repairing Some parameters will be better if you make detailed adjustments as a reference
1. Open the original image with Photoshop. Since most lifestyle photos are taken from low-end digital cameras, the black and white fields cannot be positioned well, so the photos are often gray like this one.
2. First copy a layer of background, USM sharpening, amount 50, radius 0.5
3. Adjust the color levels, the right side is the highlight amount, the left side is the dark tone amount, the middle is the midtone, increase the brightness of the face , 0, 1.0, 200
4. Adjust the color balance to make the overall photo cyan, which will better highlight the face. Shadow: -30, 0, 0
5. Create a new black and white layer, enhance the contrast, select "High Contrast Red Filter",
6. Change the blending mode to "Soft Light" and reduce the opacity to 70 %
7. At this time, the photo looks very pale. Add a hue/saturation adjustment layer and increase the saturation to +15.
1. Find a wrinkled background, drag the photo you want to create into the background layer, adjust the size and crop it to match the background border,
2. Adjust -Hue saturation, full image: Saturation -35, lightness +10,
3. Change the adjustment layer to soft light mode, and the effect of the old photo will appear.
4. Hue saturation, full image: 0, -80, 0
5. Duplicate the layer, Hue Saturation-Coloring: 340, 24, 0
6. Create a new layer, place it at the top, fill it with black,
7. Filter Mirror-Noise-Add noise, increase the sense of staleness, Amount 25%, Gaussian distribution,
8. The blending mode is Multiply,
9. Image-Adjustments-Invert,
10. To remove the noise in the border, use the rectangular selection tool to select the inner edge of the border, and use the DEL key to delete the noise in the outline.
11. Use the eraser tool to erase the noise around the character
1 Open a picture
2 Press the d key (default foreground color)
3 Window--Action--Create a new action, name--Rain
4 Copy the layer, in the new On the layer, go to Filter - Pixelate - Dotted Cell Size - 3. The larger the dotted appearance, the heavier the rain will be. The smaller the dotted appearance, the smaller the rain will be.
5 Image--Adjustment--Threshold 255. Change the layer mode to Screen
6 Filter--Blur--Motion Blur, Angle 76, Distance 22, OK. The greater the distance, the more rainy nights. The larger the distance, the smaller the light rain will be
7 Filter--Sharpening--After executing the filter--Sharpening once
8 Click Window--Action--Click to stop playback; then click Play selected action (Actually, the layer is copied) 3 times (so there are 4 rain layers)
9 Turn on the animation, close the eyes of the upper 3 layers on the first frame, leaving only the background and layer 1 Eyes; the second frame closes the eyes of layer 1 and opens the eyes of the copy of layer 1; the third frame closes the eyes of the copy of layer 1 and opens the eyes of copy 2 of layer 1; the fourth frame closes the eyes of copy 2 of layer 1 For the eyes, open Layer 1 Copy 3 of the eyes. With all frames selected, set the time to 0.2 seconds.
10 Finally save the GIF animation format.
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